Download Critical Terms for Art History, 2nd EditionFrom The University of Chicago Press
Nevertheless, some people will certainly seek for the best vendor book to read as the initial recommendation. This is why; this Critical Terms For Art History, 2nd EditionFrom The University Of Chicago Press exists to fulfil your necessity. Some people like reading this publication Critical Terms For Art History, 2nd EditionFrom The University Of Chicago Press as a result of this popular publication, yet some love this as a result of preferred writer. Or, numerous likewise like reading this publication Critical Terms For Art History, 2nd EditionFrom The University Of Chicago Press due to the fact that they truly should read this publication. It can be the one that truly enjoy reading.
Critical Terms for Art History, 2nd EditionFrom The University of Chicago Press
Download Critical Terms for Art History, 2nd EditionFrom The University of Chicago Press
Critical Terms For Art History, 2nd EditionFrom The University Of Chicago Press Actually, book is actually a window to the world. Even lots of people could not appreciate reading publications; the books will certainly consistently offer the exact info regarding fact, fiction, experience, experience, politic, faith, as well as much more. We are below an internet site that gives compilations of books greater than guide shop. Why? We provide you lots of varieties of connect to get the book Critical Terms For Art History, 2nd EditionFrom The University Of Chicago Press On is as you require this Critical Terms For Art History, 2nd EditionFrom The University Of Chicago Press You could discover this publication easily here.
The perks to take for checking out guides Critical Terms For Art History, 2nd EditionFrom The University Of Chicago Press are pertaining to enhance your life top quality. The life quality will certainly not simply about the amount of understanding you will certainly acquire. Even you review the enjoyable or entertaining e-books, it will certainly help you to have enhancing life top quality. Feeling fun will lead you to do something perfectly. Additionally, the e-book Critical Terms For Art History, 2nd EditionFrom The University Of Chicago Press will certainly give you the session to take as an excellent need to do something. You could not be ineffective when reading this e-book Critical Terms For Art History, 2nd EditionFrom The University Of Chicago Press
Never ever mind if you do not have enough time to visit guide shop and search for the preferred publication to check out. Nowadays, the on the internet book Critical Terms For Art History, 2nd EditionFrom The University Of Chicago Press is involving provide ease of checking out habit. You might not should go outside to look guide Critical Terms For Art History, 2nd EditionFrom The University Of Chicago Press Searching and also downloading and install the e-book entitle Critical Terms For Art History, 2nd EditionFrom The University Of Chicago Press in this short article will offer you better remedy. Yeah, on the internet book Critical Terms For Art History, 2nd EditionFrom The University Of Chicago Press is a kind of electronic book that you can obtain in the web link download given.
Why should be this online publication Critical Terms For Art History, 2nd EditionFrom The University Of Chicago Press You could not have to go somewhere to check out the publications. You can read this book Critical Terms For Art History, 2nd EditionFrom The University Of Chicago Press every time and every where you want. Also it remains in our leisure or feeling tired of the works in the workplace, this corrects for you. Obtain this Critical Terms For Art History, 2nd EditionFrom The University Of Chicago Press now and also be the quickest individual who completes reading this e-book Critical Terms For Art History, 2nd EditionFrom The University Of Chicago Press
"Art" has always been contested terrain, whether the object in question is a medieval tapestry or Duchamp's Fountain. But questions about the categories of "art" and "art history" acquired increased urgency during the 1970s, when new developments in critical theory and other intellectual projects dramatically transformed the discipline. The first edition of Critical Terms for Art History both mapped and contributed to those transformations, offering a spirited reassessment of the field's methods and terminology.
Art history as a field has kept pace with debates over globalization and other social and political issues in recent years, making a second edition of this book not just timely, but crucial. Like its predecessor, this new edition consists of essays that cover a wide variety of "loaded" terms in the history of art, from sign to meaning, ritual to commodity. Each essay explains and comments on a single term, discussing the issues the term raises and putting the term into practice as an interpretive framework for a specific work of art. For example, Richard Shiff discusses "Originality" in Vija Celmins's To Fix the Image in Memory, a work made of eleven pairs of stones, each consisting of one "original" stone and one painted bronze replica.
In addition to the twenty-two original essays, this edition includes nine new ones—performance, style, memory/monument, body, beauty, ugliness, identity, visual culture/visual studies, and social history of art—as well as new introductory material. All help expand the book's scope while retaining its central goal of stimulating discussion of theoretical issues in art history and making that discussion accessible to both beginning students and senior scholars.
Contributors: Mark Antliff, Nina Athanassoglou-Kallmyer, Stephen Bann, Homi K. Bhabha, Suzanne Preston Blier, Michael Camille, David Carrier, Craig Clunas, Whitney Davis, Jas Elsner, Ivan Gaskell, Ann Gibson, Charles Harrison, James D. Herbert, Amelia Jones, Wolfgang Kemp, Joseph Leo Koerner, Patricia Leighten, Paul Mattick Jr., Richard Meyer, W. J. T. Mitchell, Robert S. Nelson, Margaret Olin, William Pietz, Alex Potts, Donald Preziosi, Lisbet Rausing, Richard Shiff, Terry Smith, Kristine Stiles, David Summers, Paul Wood, James E. Young
- Sales Rank: #496295 in Books
- Published on: 2003-04
- Released on: 2003-05-01
- Original language: English
- Number of items: 1
- Dimensions: 9.38" h x 1.30" w x 6.63" l, 2.09 pounds
- Binding: Paperback
- 536 pages
From Library Journal
This companion volume to Critical Terms for Literary Study (LJ 3/1/90) contains scholarly essays that explore 22 terms commonly used by contemporary art historians. Terms such as representation, originality, appropriation, gaze, and commodity are treated within a historical context, and their influence on art criticism and aesthetics is shown. Here, critical visual theories that utilize the terms are applied to key visual images and objects. The diverse artworks cited include the bronze statue of "The Four Horses of San Marco," Manet's "A Bar at the Folies-Bergere," Walker Evans's photograph "Annie Mae Gudger," and Jeff Koons's "Vacuum Cleaner." Assuming a sophisticated level of art history scholarship, the erudite essays contain numerous bibliographic references. The essays are intended to promote research and debate. Recommended for academic and comprehensive art history collections.?Joan Levin, MLS, Chicago
Copyright 1996 Reed Business Information, Inc.
From the Inside Flap
"Art" has always been contested terrain, whether the object in question is a medieval tapestry or Duchamp's Fountain. But questions about the categories of "art" and "art history" acquired increased urgency during the 1970s, when new developments in critical theory and other intellectual projects dramatically transformed the discipline. The first edition of Critical Terms for Art History both mapped and contributed to those transformations, offering a spirited reassessment of the field's methods and terminology.
Art history as a field has kept pace with debates over globalization and other social and political issues in recent years, making a second edition of this book not just timely, but crucial. Like its predecessor, this new edition consists of essays that cover a wide variety of "loaded" terms in the history of art, from sign to meaning, ritual to commodity. Each essay explains and comments on a single term, discussing the issues the term raises and putting the term into practice as an interpretive framework for a specific work of art. For example, Richard Shiff discusses "Originality" in Vija Celmins's To Fix the Image in Memory, a work made of eleven pairs of stones, each consisting of one "original" stone and one painted bronze replica.
In addition to the twenty-two original essays, this edition includes nine new ones—performance, style, memory/monument, body, beauty, ugliness, identity, visual culture/visual studies, and social history of art—as well as new introductory material. All help expand the book's scope while retaining its central goal of stimulating discussion of theoretical issues in art history and making that discussion accessible to both beginning students and senior scholars.
Contributors: Mark Antliff, Nina Athanassoglou-Kallmyer, Stephen Bann, Homi K. Bhabha, Suzanne Preston Blier, Michael Camille, David Carrier, Craig Clunas, Whitney Davis, Jas Elsner, Ivan Gaskell, Ann Gibson, Charles Harrison, James D. Herbert, Amelia Jones, Wolfgang Kemp, Joseph Leo Koerner, Patricia Leighten, Paul Mattick Jr., Richard Meyer, W. J. T. Mitchell, Robert S. Nelson, Margaret Olin, William Pietz, Alex Potts, Donald Preziosi, Lisbet Rausing, Richard Shiff, Terry Smith, Kristine Stiles, David Summers, Paul Wood, James E. Young
About the Author
Robert S. Nelson is a Distinguished Service Professor of Art History and History of Culture at the University of Chicago. Lately he has edited Visuality before and beyond the Renaissance: Seeing as Others Saw and is currently working on a book about the modern lives of Hagia Sophia in Istanbul.
Richard Shiff is the Effie Marie Cain Regents Chair in Art and director of the Center for the Study of Modernism at the University of Texas at Austin. He is the author of Cézanne and the End of Impressionism: A Study of the Theory, Technique, and Critical Evaluation of Modern Art.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Interesting but overly scholarly
By Amazon Customer
Extremely erudite and discursive. It is interesting but slow to read.
13 of 14 people found the following review helpful.
where art history and philosophy intersect,
By paedagogue
you will find books such as this one. A Ph.D. is not required to understand it, but it will give you an intellectual workout, as it is not a beginner's handbook. You need to have read some art history (beyond the "what, where, when, who" level), and some art criticism, to see the rationale behind its chapter headings. It is also not a book about works of art as such, but about the special terms and concepts used in current interpretive writing on the "fine" arts (primarily arts of Western European derivation, but the contributors are sensitive in handling the cultural bias of their sources). ALL of the authors are distinguished authorities on the topics they discuss. I think it is a strength of this book that they do not share a homogeneous intellectual background, or ideological bias, and also that they are not all the same age, but made their greatest contributions at different points in the recent (roughly, between 1970 and 1990) "crisis" of art historical writing. The most useful feature of this book, to my mind, is that it provides carefully argued contextual analysis of critical terms which either 1) have a long history of use (and therefore need unpacking before we can grasp the "unconscious"--sometimes contradictory--values they impose on the works to which they're applied), or 2) have been recently introduced to enable an informed critique of traditional art history. The cumulative effect of the various essays is to demistify some of our more cherished assumptions about the value of art: its timeless messages, its inspired origins, its spiritual uplift, its higher expressiveness/beauty/perfections. In other words, if you hope for a "feel-good" treatment of art critical standards, this is not your book. And yet, if you can accept that making and using works of art are social activities, and like the other products and customs of human societies, are constantly in flux even as they depend for their existence on inherited techniques, formulas, and ideals, then this book will provide a wonderful "relief map" of the intellectual foundations of current art history/art criticism.
11 of 14 people found the following review helpful.
Learning the rules of the game
By A Customer
Most of these essays are written by extremely prominent art historians and critics, such as WJT Mitchell, Homi Bhaba, the late Michael Camille, Jas' Elsner, and Nina Kallmyer. Each writer explores a "charged" term currently used in art criticism, such as "representation," "social art history," "ugliness," and "beauty." In each essay, the writer explores the meaning of the term by applying it to a single work of art. Though the essays vary in difficulty, each is ultimately very rewarding. Highly recommended for anyone interested in the nuts and bolts of art criticism. An absolute must for journalists, art critics, and students.
Critical Terms for Art History, 2nd EditionFrom The University of Chicago Press PDF
Critical Terms for Art History, 2nd EditionFrom The University of Chicago Press EPub
Critical Terms for Art History, 2nd EditionFrom The University of Chicago Press Doc
Critical Terms for Art History, 2nd EditionFrom The University of Chicago Press iBooks
Critical Terms for Art History, 2nd EditionFrom The University of Chicago Press rtf
Critical Terms for Art History, 2nd EditionFrom The University of Chicago Press Mobipocket
Critical Terms for Art History, 2nd EditionFrom The University of Chicago Press Kindle
Tidak ada komentar:
Posting Komentar