Minggu, 30 September 2012

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Critical Terms for Art History, 2nd EditionFrom The University of Chicago Press

"Art" has always been contested terrain, whether the object in question is a medieval tapestry or Duchamp's Fountain. But questions about the categories of "art" and "art history" acquired increased urgency during the 1970s, when new developments in critical theory and other intellectual projects dramatically transformed the discipline. The first edition of Critical Terms for Art History both mapped and contributed to those transformations, offering a spirited reassessment of the field's methods and terminology.

Art history as a field has kept pace with debates over globalization and other social and political issues in recent years, making a second edition of this book not just timely, but crucial. Like its predecessor, this new edition consists of essays that cover a wide variety of "loaded" terms in the history of art, from sign to meaning, ritual to commodity. Each essay explains and comments on a single term, discussing the issues the term raises and putting the term into practice as an interpretive framework for a specific work of art. For example, Richard Shiff discusses "Originality" in Vija Celmins's To Fix the Image in Memory, a work made of eleven pairs of stones, each consisting of one "original" stone and one painted bronze replica.

In addition to the twenty-two original essays, this edition includes nine new ones—performance, style, memory/monument, body, beauty, ugliness, identity, visual culture/visual studies, and social history of art—as well as new introductory material. All help expand the book's scope while retaining its central goal of stimulating discussion of theoretical issues in art history and making that discussion accessible to both beginning students and senior scholars.

Contributors: Mark Antliff, Nina Athanassoglou-Kallmyer, Stephen Bann, Homi K. Bhabha, Suzanne Preston Blier, Michael Camille, David Carrier, Craig Clunas, Whitney Davis, Jas Elsner, Ivan Gaskell, Ann Gibson, Charles Harrison, James D. Herbert, Amelia Jones, Wolfgang Kemp, Joseph Leo Koerner, Patricia Leighten, Paul Mattick Jr., Richard Meyer, W. J. T. Mitchell, Robert S. Nelson, Margaret Olin, William Pietz, Alex Potts, Donald Preziosi, Lisbet Rausing, Richard Shiff, Terry Smith, Kristine Stiles, David Summers, Paul Wood, James E. Young

  • Sales Rank: #496295 in Books
  • Published on: 2003-04
  • Released on: 2003-05-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.38" h x 1.30" w x 6.63" l, 2.09 pounds
  • Binding: Paperback
  • 536 pages

From Library Journal
This companion volume to Critical Terms for Literary Study (LJ 3/1/90) contains scholarly essays that explore 22 terms commonly used by contemporary art historians. Terms such as representation, originality, appropriation, gaze, and commodity are treated within a historical context, and their influence on art criticism and aesthetics is shown. Here, critical visual theories that utilize the terms are applied to key visual images and objects. The diverse artworks cited include the bronze statue of "The Four Horses of San Marco," Manet's "A Bar at the Folies-Bergere," Walker Evans's photograph "Annie Mae Gudger," and Jeff Koons's "Vacuum Cleaner." Assuming a sophisticated level of art history scholarship, the erudite essays contain numerous bibliographic references. The essays are intended to promote research and debate. Recommended for academic and comprehensive art history collections.?Joan Levin, MLS, Chicago
Copyright 1996 Reed Business Information, Inc.

From the Inside Flap
"Art" has always been contested terrain, whether the object in question is a medieval tapestry or Duchamp's Fountain. But questions about the categories of "art" and "art history" acquired increased urgency during the 1970s, when new developments in critical theory and other intellectual projects dramatically transformed the discipline. The first edition of Critical Terms for Art History both mapped and contributed to those transformations, offering a spirited reassessment of the field's methods and terminology.

Art history as a field has kept pace with debates over globalization and other social and political issues in recent years, making a second edition of this book not just timely, but crucial. Like its predecessor, this new edition consists of essays that cover a wide variety of "loaded" terms in the history of art, from sign to meaning, ritual to commodity. Each essay explains and comments on a single term, discussing the issues the term raises and putting the term into practice as an interpretive framework for a specific work of art. For example, Richard Shiff discusses "Originality" in Vija Celmins's To Fix the Image in Memory, a work made of eleven pairs of stones, each consisting of one "original" stone and one painted bronze replica.

In addition to the twenty-two original essays, this edition includes nine new ones—performance, style, memory/monument, body, beauty, ugliness, identity, visual culture/visual studies, and social history of art—as well as new introductory material. All help expand the book's scope while retaining its central goal of stimulating discussion of theoretical issues in art history and making that discussion accessible to both beginning students and senior scholars.

Contributors: Mark Antliff, Nina Athanassoglou-Kallmyer, Stephen Bann, Homi K. Bhabha, Suzanne Preston Blier, Michael Camille, David Carrier, Craig Clunas, Whitney Davis, Jas Elsner, Ivan Gaskell, Ann Gibson, Charles Harrison, James D. Herbert, Amelia Jones, Wolfgang Kemp, Joseph Leo Koerner, Patricia Leighten, Paul Mattick Jr., Richard Meyer, W. J. T. Mitchell, Robert S. Nelson, Margaret Olin, William Pietz, Alex Potts, Donald Preziosi, Lisbet Rausing, Richard Shiff, Terry Smith, Kristine Stiles, David Summers, Paul Wood, James E. Young

About the Author
Robert S. Nelson is a Distinguished Service Professor of Art History and History of Culture at the University of Chicago. Lately he has edited Visuality before and beyond the Renaissance: Seeing as Others Saw and is currently working on a book about the modern lives of Hagia Sophia in Istanbul.

Richard Shiff is the Effie Marie Cain Regents Chair in Art and director of the Center for the Study of Modernism at the University of Texas at Austin. He is the author of C├ęzanne and the End of Impressionism: A Study of the Theory, Technique, and Critical Evaluation of Modern Art.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Interesting but overly scholarly
By Amazon Customer
Extremely erudite and discursive. It is interesting but slow to read.

13 of 14 people found the following review helpful.
where art history and philosophy intersect,
By paedagogue
you will find books such as this one. A Ph.D. is not required to understand it, but it will give you an intellectual workout, as it is not a beginner's handbook. You need to have read some art history (beyond the "what, where, when, who" level), and some art criticism, to see the rationale behind its chapter headings. It is also not a book about works of art as such, but about the special terms and concepts used in current interpretive writing on the "fine" arts (primarily arts of Western European derivation, but the contributors are sensitive in handling the cultural bias of their sources). ALL of the authors are distinguished authorities on the topics they discuss. I think it is a strength of this book that they do not share a homogeneous intellectual background, or ideological bias, and also that they are not all the same age, but made their greatest contributions at different points in the recent (roughly, between 1970 and 1990) "crisis" of art historical writing. The most useful feature of this book, to my mind, is that it provides carefully argued contextual analysis of critical terms which either 1) have a long history of use (and therefore need unpacking before we can grasp the "unconscious"--sometimes contradictory--values they impose on the works to which they're applied), or 2) have been recently introduced to enable an informed critique of traditional art history. The cumulative effect of the various essays is to demistify some of our more cherished assumptions about the value of art: its timeless messages, its inspired origins, its spiritual uplift, its higher expressiveness/beauty/perfections. In other words, if you hope for a "feel-good" treatment of art critical standards, this is not your book. And yet, if you can accept that making and using works of art are social activities, and like the other products and customs of human societies, are constantly in flux even as they depend for their existence on inherited techniques, formulas, and ideals, then this book will provide a wonderful "relief map" of the intellectual foundations of current art history/art criticism.

11 of 14 people found the following review helpful.
Learning the rules of the game
By A Customer
Most of these essays are written by extremely prominent art historians and critics, such as WJT Mitchell, Homi Bhaba, the late Michael Camille, Jas' Elsner, and Nina Kallmyer. Each writer explores a "charged" term currently used in art criticism, such as "representation," "social art history," "ugliness," and "beauty." In each essay, the writer explores the meaning of the term by applying it to a single work of art. Though the essays vary in difficulty, each is ultimately very rewarding. Highly recommended for anyone interested in the nuts and bolts of art criticism. An absolute must for journalists, art critics, and students.

See all 8 customer reviews...

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Selasa, 25 September 2012

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The Lawudo Lama: Stories of Reincarnation from the Mount Everest Region, by Jamyang Wangmo

The Lawudo Lama presents two life stories along with an extended introduction laying out their social and cultural context. It takes place in the Mount Everest region of Nepal, the home of the famous Sherpa guides, where the people practice Tibetan Buddhism and revere the local lamas and yogis. The stories are centered in Lawudo, a small village in the Khumbu region, and the central figure is the renowned Lawudo Lama.

The first Lawudo Lama portrayed, Lama Kunzang Yeshe (1864-1946), was a yogi of the Nyingma lineage who spent much of his life meditating in a cave near Lawudo, and his life is reconstructed through meticulous research of written and oral histories. The second story is of Kunzang Yeshe's reincarnation, a monk of the Gelug lineage known as Lama Zopa Rinpoche, whose story is given in a first-person narrative. Lama Zopa is well known in the West as the author of several books and as the Spritual Director of the Foundation for the Preservation of the Mahayana Tradition (FPMT), which has more than 100 affiliate Buddhist centers worldwide. Lama Zopa Rinpoche travels and teaches extensively to large audiences and has thousands of students.

The Lawudo Lama will appeal to travelers to Nepal, to Buddhist practitioners, and to scholars trying to understand the culture of the region. It is well documented, and is accompanied by more than 125 color and black and white photos, drawings, lineage charts, and maps.

  • Sales Rank: #2451766 in Books
  • Brand: Brand: Wisdom Publications
  • Published on: 2005-03-15
  • Released on: 2005-03-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.30" w x 6.00" l, 1.45 pounds
  • Binding: Paperback
  • 448 pages
Features
  • Used Book in Good Condition

Review
"In some ways, the present volume is three books in one. First, it is an introduction to Sherpa culture and geography--a rare treat in itself. Second, it is a biography of Lama Kunzang Yeshe, the first Lawudo Lama, which takes into account both his outer and inner life. Third, it is an autobiography of Kunzang Yeshe's reincarnation (tulku) in the form of Thubten Zopa Rinpoche ("Lama Zopa"), who was born into a Sherpa family in Nepal and today is the spiritual director of the Foundation for the Preservation of the Mahayana Tradition (FPMT). [...] This volume is filled with touching and amazing stories of Tibetan and Nepalese yogis, who have dedicated their whole life to realizing enlightenment and serving the spiritual awakening of others. One gets a good sense of how great one's dedication to the Dharma must be to break through the karmic bonds of conventional life but also that even a lay practitioner can attain a high level of realization. Most importantly, this book offers one wonderful reassurance that great masters and teachings do still exist and are available to anyone who is serious about Dharma practice. " (reviewed by Georg Feuerstein, author of The Yoga Tradition and Yoga For Dummies, for Traditional Yoga Studies Interactive)

"The Lawudo Lama is an amazing tale recounting the lives of both the internationally known Lama Thupten Zopa Rinpoche and his previous incarnation, Lama Kunzang Yeshe. Unlike numerous other studies of Sherpa culture, religion, and history, The Lawudo Lama offers an account from within the tradition, as experienced by the main protagonists. Author Jamyang Wangmo, as one of Lama Zopa's early disciples--also among the few foreigners to have spent long stretches in solitary retreat at the cave hermitages of the Lawudo Lama--is uniquely qualified to write about the subject." (Hubert Decleer, Director of the Tibetan Studies Program for International Training, and author of Lightning Terror)

"A fascinating, formidable read, offering in-depth, incredibly detailed information about Sherpa life in the Himalayas. The biographical stories of two famous lamas, Kunzang Yeshe (1865-1946) and the person who is said to be his reincarnation, Thubten Zopa Rinpoche also are engaging reading. Jamyang Wangmo's 434-page tome will prove a fascinating excursion for anyone interested in Tibetan Buddhism and Himalayan culture. Absorbing, descriptive narratives are accompanied by photos of the people mentioned in the stories. The book is laid out in distinct sections, allowing readers to use it as an easy reference. The six appendixes include indexes of persons, deities, places, and text. The cover art of The Lawudo Lama is beautiful and eye-catching. I suggest displaying it with other books about Eastern religions, and recommend it highly to customers interested in Buddhism, reincarnation, and Eastern philosophies." (New Age Retailer)

"I have no doubt that readers of this book will find here encouraging evidence that, even in this day and age, where there is real faith, good motivation, and a great deal of hard work, the Dharma will flourish and grow." (from the foreword by the Dalai Lama)

"This fascinating book provides a unique--earthy yet mystical--insider's view of Himalayan life in general and of Sherpa life in particular. Will be very interesting to anyone who has travelled in the Himalayas and greatly inspiring to anyone who wishes to live a deeply spiritual life. Where else can one find a story in which the characters travel from life to life, continuing to teach, guide and support each other--it will stretch your mind and move your heart." (Lorne Ladner, author of The Lost Art of Compassion)

"Religious biographies form a central part of Tibetan literature, and such accounts are now becoming important for Western Buddhists as well. The Lawudo Lama succeeds in combining the traditional style with a modern narrative and in illuminating the life stories through their context in the traditions of the Khumbu region of Nepal." (Franz-Karl Ehrhard, Professor of Tibetan and Buddhist Studies at Ludwig-Maximilians University, Munich)

About the Author
Jamyang Wangmo (Helly Pelaez Bozzi, formerly Jampa Chokyi) was born in Spain in 1945 and trained in law. After spending time in India and Nepal, she decided to take ordination as a Buddhist nun in 1972. A watercolor artist as well, she has spent much of the past few decades doing retreats in Dharamsala, India, and in the Solo Khumbu region of Nepal.

Tenzin Gyatso, the Fourteenth Dalai Lama, is the spiritual leader of the Tibetan people. He frequently describes himself as a simple Buddhist monk. Born in northeastern Tibet in 1935, he was as a toddler recognized as the incarnation of the Thirteenth Dalai Lama and brought to Tibet's capital, Lhasa. In 1950, Mao Zedong's Communist forces made their first incursions into eastern Tibet, shortly after which the young Dalai Lama assumed the political leadership of his country. He passed his scholastic examinations with honors at the Great Prayer Festival in Lhasa in 1959, the same year Chinese forces occupied the city, forcing His Holiness to escape to India. There he set up the Tibetan government-in-exile in Dharamsala, working to secure the welfare of the more than 100,000 Tibetan exiles and prevent the destruction of Tibetan culture. In his capacity as a spiritual and political leader, he has traveled to more than sixty-two countries on six continents and met with presidents, popes, and leading scientists to foster dialogue and create a better world. In recognition of his tireless work for the nonviolent liberation of Tibet, the Dalai Lama was awarded the Nobel Peace Prize in 1989. In 2012, he relinquished political authority in his exile government and turned it over to democratically elected representatives.

His Holiness frequently states that his life is guided by three major commitments: the promotion of basic human values or secular ethics in the interest of human happiness, the fostering of interreligious harmony, and securing the welfare of the Tibetan people, focusing on the survival of their identity, culture, and religion. As a superior scholar trained in the classical texts of the Nalanda tradition of Indian Buddhism, he is able to distill the central tenets of Buddhist philosophy in clear and inspiring language, his gift for pedagogy imbued with his infectious joy. Connecting scientists with Buddhist scholars, he helps unite contemplative and modern modes of investigation, bringing ancient tools and insights to bear on the acute problems facing the contemporary world. His efforts to foster dialogue among leaders of the world's faiths envision a future where people of different beliefs can share the planet in harmony. Wisdom Publications is proud to be the premier publisher of the Dalai Lama's more serious and in-depth works.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Real Life can be kinda boring.
By Andrew Miller
I was expecting a little more * mystery and magic* to it. given that it was about reincarnations. but given that it was also about *real Life8 I found it kind of a boring read.

0 of 0 people found the following review helpful.
Five Stars
By swadhina devi
Absolutely amazing, detailed, authentic Tibetan Master Lama Zopa Rinpoche's life story.

0 of 0 people found the following review helpful.
Special
By lisbeth
Insight into a very special Lama.

See all 3 customer reviews...

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Minggu, 23 September 2012

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System Requirements
Windows: Intel Pentium 4 1.6GHz processor or equivalent (2GHz recommended); Microsoft Windows Vista, Windows XP, Windows Server 2003, Windows 2000.
Macintosh: Power PC G4 867MHz or faster processor; Intel Core Duo 2.13GHz or faster processor; Mac OS X v.10.4x or 10.5x.
All platforms: 512MB of RAM; 1Gb free hard disk space; minimum monitor capability: 1024 x 768 pixels and high color (16 bits per pixel, ie 65,536 colors); local CD-ROM/DVD drive (for installation); runs from hard drive only.

System Requirements

Windows: Intel® Pentium® 4 1.6GHz processor or equivalent (2GHz recommended); Microsoft® Windows® Vista, Windows XP, Windows Server® 2003, Windows 2000.
Macintosh: Power PC® G4 867MHz or faster processor; Intel CoreTM Duo 2.13GHz or faster processor; Mac OS X v.10.4x or 10.5x.
All platforms: 512MB of RAM; 1Gb free hard disk space; minimum monitor capability: 1024 x 768 pixels and high colour (16 bits per pixel, ie 65,536 colours); local CD-ROM/DVD drive (for installation); runs from hard drive only.

  • Sales Rank: #459084 in Books
  • Published on: 2009-06-04
  • Original language: English
  • Subtitled in: English
  • Number of items: 1
  • Dimensions: 5.50" h x .70" w x 7.40" l, .50 pounds
  • Binding: CD-ROM

Review
"OED 4.0 is undoubtedly the best incarnation of the OED to appear on CD-Rom ... It's so useful - not to mention addictive - that you will probably want to set it to launch automatically when you switch your computer on." --John Garth, Daily Mail

About the Author
John Simpson is a Vietnam Era Veteran, former Police Officer of the Year, a Federal Agent, a Federal Magistrate, an armed bodyguard to Saudi Royalty, a senior Federal Government executive, and recipient of awards from the Vice President of the United States and the Secretary of Treasury. John feels that for too long fiction writers neglected gay men. John writes entertaining, enjoyable, and enthralling fiction centered on the lives and lifestyles of gay men. John allows his readers to see life through gay mens' eyes. And just like real life, John's characters have active and exciting sex lives. .John lives with his partner of 36 years who he legally married in 2008, and their three Scottish Terriers.

Most helpful customer reviews

119 of 121 people found the following review helpful.
The ultimate resource for the Enlish language
By Jerry Saperstein
If you love words, there is no equal

At least Oxford University Press keeps trying. This is the 4th electronic version of the venerable Oxford English Dictionary. Each of the earlier versions had problems galore that Oxford was very lax in resolving or sometimes even admitting. Among the many small cruelties, you had to reinsert the data disk every 90 days. Or the failure to adapt to Windows Vista. Ah, well, if you want all those words at your fingertips, such suffering is a price to be paid.

Happily, 4.0 seems pretty stable. Gone is the insanity of needing to reinsert the data disk. OED 4.0 runs smoothly on Vista. Still missing are synonyms. Oxford is missing a profit opportunity by not including a thesaurus add-on. They have a print version: why not make it electronic?

The user interface is cleaned up from earlier versions.

Spelling errors still result in no match rather than presenting you with a list of possibilities. Using the two wildcards is your own option.

The advanced Search is a relatively primitive Boolean mechanism that provides you three terms to match in either the word entries or quotations using AND/OR/NOT operators. Frankly, it isn't all that advanced, but it will do.

When the OED is open, you can double-click on any word and the OED will display the definition. (Windows-only feature.) Mac users need to copy the word to the clipboard.

Speaking of copying, you can only copy the entire OED entry, which can be huge in many cases. Thus, you transfer it to a note application and then extract what you need. Cumbersome to say the least, but as paranoid as Oxford is about illegal copying, it keeps people from easily creating their own dictionaries.

The help function is browser based and reasonably thorough. There is, happily, a list for all the abbreviations used in the OED and any serious word hunter will be using it.

The joy of the OED, of course, is the words. More than 500,000 words defined and 2.5 million quotations demonstrating their use. Paradise for a writer or anyone entranced with the English language. Although, in terms of use, there are other electronic dictionaries that I prefer for ease of use and online references as well, the OED remains the absolute authority and I treasure it. Warts and all, I have grown up with it in print (the tiny print version with the magnifying glass) and all its electronic versions.

The OED is and remains the superlative resource for the English language.

Jerry

100 of 106 people found the following review helpful.
Oxford English Dictionary - technical review
By Nathan Ramella
There have been many reviews of the literary content of the OED, this review doesn't approach that subject, rather as this is a software product my review discusses the technical implementation and the updates since the previous 3.1 release of this software.

Version 4.0 is the first version of the OED CD-ROM that supports the Macintosh operating system, having previously been available as a Windows application only. This review is written from the perspective of a Macintosh owner.

This release as stated on the packaging, is a hybrid CD-ROM, both Windows and Macintosh versions. The CD-ROMs themselves state that it uses 'SecureROM' copy protection, however from what I can tell this copy protection is missing on the Macintosh entirely.

The install process involved copying two parts of a compressed disk image (DMG) from the CD-ROMs onto my hard-drive, then simply opening the DMG and copying out the 'OED v4.0.app' into my Applications folder. There was no activation required, it simply ran after I extracted it from the install media. While I can't promise a similar user experience for Windows users, having had to deal with the Windows copy-protection in older versions I can say this is a welcome feature.

The user interface has been updated a bit, but still feels fairly clunky. For the gear-heads out there It's based on 'haXe' and 'nekoVM' so there's little if any customization available. On the Mac it hooks cut/paste to do automatic word lookup, but there is no integration with the Macintosh dictionary framework which is a bit of a disappointment, although clearly stated on OED's website.

There are roughly 300,000 words on the CD-ROM version, vs. the Oxford American English Dictionary which ships with Macintosh computers which has less than a third of that -- so there is a difference if you're wondering.

Dictionary lookups are fairly quick and the content if you've read a printed OED will be unsurprisingly similar for obvious reasons.

All in all, I consider this a great step forward for OED in that Macintosh is supported, as well that the draconian copy-protection of 3.1 appears to not be inflicted on Macintosh users.

I consider this worth the money simply in having it at my fingertips and not having to endure the ad-spam of[..]. I would have rated it 5 stars had there been integration with Macintosh's dictionary framework so that the data would be available through the OS supported search/lookup mechanisms, for lack of that feature I felt it worthy of dinging a star off.

36 of 38 people found the following review helpful.
weak interface to a magnificent human effort
By Naromiyocknowhusunkatank
A software interface to the Oxford English Dictionary has enormous potential, which is only partially realized in this version.

Rudimentary searching is available. Which only makes me wish for more: a search pattern language for example.

Simple wildcard searches -- that match any number of characters ("*"), or match single characters ("?") are available; but you can't, for example, straightforwardly find all words with 5 letters or less that end in "ish"? ( An "*ish" (dictionary find) search will return 3411 matches of arbitrary lengths. A "??ish" (dictionary find) search returns 50 matches, of just length 5. )

The advanced search facility, while having more functionality, doesn't have a search pattern language either, beyond the two wildcard characters. There are some filters, for case-sensitivity, parts of speech, and two extra boolean ("and", "or", "not") search fields -- but no pattern language. Phonetic searches are limited in the same way.

Advanced search is buggy, and time-consuming. Some searches work; some freeze up the system. After which one has to quit and restart the application, to do another search. (Operating system: OSX 10.5.8)

Formatting of entries is primitive, and hard to read.

The Dictionary application, developed by Apple for its Macintosh computers, (introduced with Mac OS X v10.4) which is based on the New Oxford American Dictionary and the Oxford American Writer's Thesaurus, -- does a beautiful job formatting, by comparison). It comes free as part of the Mac software. It is also linked to other applications running on the Mac, so you can look up a word you don't know -- on the fly. The search facility, however, is even more limited than OED version 4.0.

Perhaps Oxford University Press and Apple could combine efforts?

I regard the OED as a human resource of treasury quality, and look forward to a software interface to it, of the quality it deserves.

Rating explanation: OED = 7 stars; interface = 1 star. Therefore an overall rating (average) of 4 stars.

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Beat Down to Your Soul: What Was the Beat Generation?, by Ann Charters

In this wide-ranging anthology, Beat scholar Ann Charters brings together more than seventy-five essays, reviews, memoirs, poems, and sketches that evoke the credos and the controversies surrounding the Beat generation writers of the 1950s. Charters includes discussions of all the major Beat figures-Jack Kerouac, William Burroughs, Allen Ginsberg, Neal Cassady, Diane di Prima, Gary Snyder, and many more-from commentaries by the Beats themselves as well as by such writers as Henry Miller, William Carlos Williams, Mary McCarthy, Joyce Carol Oates, Tom Wolfe, Grace Paley, and Henry Louis Gates, Jr.. Charters also explores the humorous side of the Beat generation, its place in post-war American culture, and the contribution of the important women authors who also wrote Beat.

  • Sales Rank: #733412 in Books
  • Published on: 2001-06-01
  • Released on: 2001-05-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x 1.45" w x 5.34" l,
  • Binding: Paperback
  • 744 pages

From Publishers Weekly
For a fresh take on an often simplified historical moment, look at Beat Down to Your Soul: What Was the Beat Generation? in which Ann Charters has assembled some obscure and some familiar material by and about beatniks. In a letter to poet and critic Richard Eberhart, Allen Ginsberg says, "I was flattered... by the idea of recognition but really didn't agree with your evaluation of my own poetry," and explains, for 11 pages, his aesthetic and social intentions. Henry Louis Gates Jr. explores how writer Anatole Broyard, whose essay "A Portrait of the Hipster" appeared in the Partisan Review in 1948, passed as white early in his career in New York. Diane di Prima's piece about her newsletter with LeRoi Jones, Floating Bear, evokes the excitement of the early '60s East Village poetry scene.

Copyright 2001 Cahners Business Information, Inc.

About the Author
Ann Charters has had a thirty-year involvement with Beat literature. She was the editor of The Portable Beat Reader, The Portable Jack Kerouac, and two volumes of Jack Kerouac Selected Letters. She teaches at the University of Connecticut in Storrs.

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6 of 6 people found the following review helpful.
Excellent Anthology
By Dr. Rico
I've always admired Charters work concerning the Beats . It's scholarly and entertaining at the same time. Back in the sixties, if you asked an English professor why Beats weren't covered in the textbook ,you'd probably get a sideways look of disdain. If I were teaching a course on American Lit today, this would be mandatory. Some of the source material has been more or less unobtainable which makes this a true goldmine. It always seems like the Beat movement as a literary topic has been pretty much exhausted, but Ms. Charters has proven that not to be true.

1 of 2 people found the following review helpful.
beat down to your classroom
By A Customer
This anthology has some interesting material, particularly the excerpts from the "beats" themselves and the panel discussion of "beat women" at the end. But it leaves out some of the most interesting beats (Philip Whalen, Lew Welch, Kirby Doyle, Lenore Kandel, Richard Brautigan, Albert Saijo etc.) while larding the fat volume with writers who just boringly interpreted or reviewed the beats (Joyce Carol Oates, Alfred Kazin,Mary McCarthy etc.), who were irrelevant to the beats (Anatole Broyard, Jack Spicer, john Updike etc.), or who secretly disliked or openly hated the beats (Norman Podhoretz, William Carlos Williams, Diana Trilling, Kenneth Rexroth etc.) Not really much soul in that. What's the point of making academic hay out of the most anti-academic writers of the 20th century? Well of course the point is--making academic hay, in this case by an author who doesn't seem to care much for the beats herself. Like what F.Scott Fitzgerald said about his Princeton poetry professors who really hated poetry.

2 of 2 people found the following review helpful.
Realistic
By Mary K
Realistic analysis of the Beat Generation. Studing this subject for a college course and found the book helpful. Thanks for asking

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  • Published on: 1992
  • Binding: Paperback
  • 192 pages

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  • Published on: 1709
  • Binding: Paperback

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Benezit-Dictionnaire Des Peintres, Sculpteurs, Dessinateurs Et Graveurs (14 Volumes, Cloth Cover, Hardbound) (French Edition), by Emmanuel

  • Sales Rank: #6888676 in Books
  • Published on: 1999-03-01
  • Original language: French
  • Number of items: 14
  • Binding: Hardcover
  • 13500 pages

Review
This newly expanded edition is an absolutely vital set for any library, museum, gallery, auction house, art dealer or collector. -- G.R. Wallace Auctioneering

Language Notes
Text: French

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11 of 11 people found the following review helpful.
None Better
By A Customer
The Benezit is the definitive biographical and bibliographical work for art historians, dealers, and collectors. Entries in the Benezit briefly describe the artist's life and summarize major shows and awards. Occasionally an example of an artist's signature is provided. To say that an artist is "listed" usually means that there is an entry on the artist in the Benezit.
This compilation is wondrous. One is not educated in art history if one is not familiar with the Benezit. Caveat: the Benezit is written in French.

2 of 12 people found the following review helpful.
BENEZIT VOL VII PP 336-331
By A Customer
HELP FIND THE HENRI RONDEL FRENCH PAINTING HISTORY 1857 PARIS, 1919 GVIGON MUSEUM

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The Horseman on the Roof, by Jean Giono

  • Published on: 2013
  • Binding: Hardcover
  • 472 pages

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--

  • Sales Rank: #718428 in Books
  • Brand: Brand: Prentice Hall
  • Published on: 2012-09-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.90" h x .6" w x 6.40" l, .10 pounds
  • Binding: Misc. Supplies
Features
  • Used Book in Good Condition

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Titles in Barron's Easy Way series are self-teaching manuals that cover a wide range of subjects and skills. Among them are several language-learning books for beginners. This second edition of Mandarin Chinese the Easy Way comes with an audio compact disc that supplements the book, providing pronunciation help and listening comprehension material in the form of spoken dialogues. This book-and-CD combination introduces basic sentence patterns and practical vocabulary by dramatizing many true-to-life and often humorous conversational situations in Mandarin Chinese. An introduction to Chinese written characters is presented in the book's final chapter.

  • Sales Rank: #823270 in Books
  • Brand: Brand: Barron's Educational Series
  • Model: 3581509
  • Published on: 2008-01-01
  • Original language: Chinese
  • Number of items: 1
  • Dimensions: 10.70" h x .77" w x 7.86" l, 1.83 pounds
  • Binding: Paperback
  • 384 pages
Features
  • Used Book in Good Condition

About the Author
Philip F. Williams is Professor and Head, Schoolof Language Studies, Massey University, New Zealand. His previous books include "Village Echoes: The Fiction of Wu Zuxiang "(1993). Yenna Wu is Professor of Chinese and Director of the Asian Languages and Civilizations Program at the University of California at Riverside and author of "The Chinese Virago: A Literary Theme "(1995), "Ameliorative Satire" (1999), among other books.

Yenna Wu is Assistant Professor of Chinese at the University of California, Riverside.

Most helpful customer reviews

5 of 12 people found the following review helpful.
Great book for a private tutor
By Louis
I use this book with my tutor, a native Mandarin speaker, and it works great. ^_^

8 of 8 people found the following review helpful.
Great learning resource
By Mo
I have purchased quite a few books, cds, and online training programs, but none of them are as comprehensive as this one. Do you have any idea how hard it is to find a pingyin dictionary that goes both ways? True this is just a mini dictionary, but it is most useful. The book also deals with structure without burying you in grammar and grammatical terminology. For the price, this is a really good acquisition. I noticed one reviewer had complained about the vocabulary content. In my opinion that is ridiculous. No one can learn vocabulary for you - you have to do it yourself and there are many resources out there such as BYKI online. No book can do it for you. The point of a training resource is to teach you structure and application using typical content. The only thing I would have liked in this book is pronunciation in brackets for the vocabulary lists. The book relies on your learning the initials and finals of pingyin, and one really must do that first before trying to continue if you want to avoid learning wrong pronunciation. (and no! pingyin bears little resemblence to English phonetics - you have to relearn your alphabet with a whole new set of sounds in many cases eg. c = ts, zh = j, z = ds, etc.)

8 of 10 people found the following review helpful.
Overall good. Dialogues need improvement.
By Book Lover XYZ
I'm a native Chinese, teaching an adult beginner Chinese class in my community as a volunteer. I've been looking for a suitable text book but failed to find one, until a friend recommended this book. This book doesn't teach reading/writing Chinese characters and is suitable as introductory material for a course up to 1/2 year length.

The pros: The book attempts to explain the language phenomena from the viewpoint of English. For example, it emphasizes that Chinese sentences have more rigid structures. It's good for an English speaker to understand the differences and the fine points that many other books fail to explain.

The cons: The dialogues are somewhat forced at the best and outrageous sometimes. For example, see this exchange in Chapter 8 when a couple is trying to rent a room:

Renter: Are there cockroaches in your rooms?
Landlord: No. There aren't cockroaches in our rooms. There're one or two roaches in my house. But it doesn't matter - they won't bite.

Anyway, I still plan to use this book as a reference book for my class. As for dialogues, I'll pick and choose, certainly skipping cockroaches.

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